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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, one half of the pioneering 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his sleep at his home in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, following a period of health issues.

"I managed to injure myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and fractured about five ribs and broke my arm."

Following contracting a lung infection and suffering from sepsis, he was put in an medically-induced sleep and remained in the hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the new album that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant aspect of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is distinct from joining a group, the connection is very tight," he continued.
"That's how it was with us. We went through so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family his caregivers, who changed his given name from Paul to David, together with his sibling Susan, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both learning art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the very year, and quickly produced an EP.

Creative Collaboration

The duo were an unusual pairing: Ball was the quiet musician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and eye-liner; but they attained a unique creative synergy.

Ball had cultivated a interest with synthesizers after watching Kraftwerk appear on a television science show a popular series, and began to marry dark electronica to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second most popular song of 1981, shifting millions of units globally. Alongside hits by Gary Numan, Human League and electronic acts, it helped paved the way for the synth-pop sound of the 80s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's passing

Career Highlights

Success had its upsides. "I loved being able to afford my initial property, having money and exploring, which might seem like a Miss World," Ball recently shared with a music magazine.

But it also presented problems. "Newfound wealth meant we could afford newfound drugs to alleviate the boredom" of press appearances and television shows, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it works for so many bands."

During the hedonistic lifestyle, the duo were also growing distant, but they succeeded to create a second memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

Following a further hiatus, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on September 30, that year.

However, they remained together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently described the band's upcoming release as a tribute to the NYC nightlife they frequented while making their initial records.

He noted that his time in hospital had influenced the band's sound.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he told a publication.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the times me and Marc got up to in the 1980s."

The last versions were finished only days before Ball passed away. It is scheduled for release in Spring 2026.

Written by

Alan Evans

A seasoned gaming analyst with over a decade of experience in casino technology and slot machine design, passionate about sharing industry insights.

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